A space shaped by contrast and harmony
Just as scents of different natures come into harmony,
raw textures and delicate materials blend to balance the space.
Several creators, including British architect Sophie Hicks, took part,
expressing the essence of fragrance through architecture, from the lower levels that capture the city’s raw elements to the upper floors.
A spiral stair and landscapes flowing across the boundary
The spiral stair running through the building connects every floor,
leading you further from the city’s noise and deeper into scent and tea as you rise.
Through the translucent facade wrapping the building,
outside scenery and inner sensations overlap,
blurring the boundary between inside and out.
An immersive space where art, scent, and tea converge
Beyond the stairs, encounter the artworks of the exhibition space.
On the third floor, metal tables and reflected light
let you focus fully on scent and yourself.
At TEA·THOLOGY on the sunlit top floor,
wood tables and works by Ko Eun Choi create a moment of calm with tea.
A fragrance space where perception shifts
From the entrance, perception flows naturally from sight to scent.
Passing through the immersive corridor, you arrive at a space devoted to fragrance.
A tea space embracing hanok and nature
On the second floor, TEA·THOLOGY separates the space for preparing tea from the space for drinking it, so you can focus on your time with tea.
Large front windows frame Bukchon’s hanok landscape, and the restrained interior lets your gaze rest naturally on the view outside.
The green of trees through the side windows and the reflective ceiling structure add depth to the space.
A fragrance space filled with light and memory
Harajuku is a place where fragrances are kept and the stories within each are shared.
On the first floor, light-reflecting materials divide outside from inside, leading into a space for exploring scent.
The second-floor archive is where fragrances are stored, and where you take out your chosen scent to meet it again.
A space shaped by contrast and harmony
Just as scents of different natures come into harmony,
raw textures and delicate materials blend to balance the space.
Several creators, including British architect Sophie Hicks, took part,
expressing the essence of fragrance through architecture, from the lower levels that capture the city’s raw elements to the upper floors.
A spiral stair and landscapes flowing across the boundary
The spiral stair running through the building connects every floor,
leading you further from the city’s noise and deeper into scent and tea as you rise.
Through the translucent facade wrapping the building,
outside scenery and inner sensations overlap,
blurring the boundary between inside and out.
An immersive space where art, scent, and tea converge
Beyond the stairs, encounter the artworks of the exhibition space.
On the third floor, metal tables and reflected light
let you focus fully on scent and yourself.
At TEA·THOLOGY on the sunlit top floor,
wood tables and works by Ko Eun Choi create a moment of calm with tea.
A tea space embracing hanok and nature
On the second floor, TEA·THOLOGY separates the space for preparing tea from the space for drinking it, so you can focus on your time with tea.
Large front windows frame Bukchon’s hanok landscape, and the restrained interior lets your gaze rest naturally on the view outside.
The green of trees through the side windows and the reflective ceiling structure add depth to the space.
A fragrance space filled with light and memory
Harajuku is a place where fragrances are kept and the stories within each are shared.
On the first floor, light-reflecting materials divide outside from inside, leading into a space for exploring scent.
The second-floor archive is where fragrances are stored, and where you take out your chosen scent to meet it again.
